I’ve often said to my students, unlike any other dance, our dance is intrinsically tied to the music. Learning music, theory and rhythms is a big part of a serious students journey.
Music facilitates our understanding of the movements. It’s that important. I’ve been very lucky to have had opportunities to work with amazing musicians for extended periods of time (like years) and that experience alone expanded my understanding of the dance, comparable to the years of efforts spent in the dance studio.
This is why I like to offer live music opportunities for students who choose the path of performance. For this reason, dances are made to explore music. There is a symbiotic relationship between the two.
Things to remember:
Even if you choreograph a dance to a recording, technical snafus occur. Including, but not limited to:
The DJ plays the wrong song
The electricity goes out
Poor sound system and it’s not loud enough or the applause from your audience is drowning out the music and all your well laid plans.
Your DJ is on the other side of a banquet room and you won’t be able to catch his eye and or he won’t understand your pantomime to go to the next song. If you are dancing right next to him, and he doesn’t understand your language.
Electricity goes out….you have zills right? Can you hum it? A beautiful moment happened a couple of years ago in Acapulco at a dance performance I was attending. The sound system was crap! It was interrupting almost every single dancer and group, some were so frustrated they left the stage, others kept dancing in hopes they could catch the musical cues when the music returned. The organizer of the event and her large dance ensemble closed the set and of course the music tanked. The audience started humming the piece and the dancers finished the piece, it was magic!
Live music snafus:
Music or songs are different versions than you know
The band played it differently than they did the last time
The arrangement is all wrong
The band doesn’t know it or doesn’t know the finale.
It’s Ramadan and the keyboard player doesn’t want to play for the dancer
No matter how many recordings of the song or music you listen to, or even if you have had the band play it for you dozens of times before, there is no guarantee that it will be played the same way again.
While I generally prefer live music, I’ve been dancing long enough to have had a few musical nightmares. Really, kind of like, me wondering to myself….what possessed you to become a dancer???
I was working at a nightclub that my regular band and singer had brought me to work with them. It was kind of an interim place until we could get our show back into a club that seated more than 100 people. (The club where we had worked together for 10 years had closed.)
During the transition…I stayed at the old club, while the band went to the new one. Of course all the parties involved knew what we were doing, so there were efforts all around to keep both owners and audiences happy.
Two weeks went by with fill in musicians I had worked with before. Fun shows, happy audiences and owners. Third week, not so much. In place of the four piece band was a keyboard player with an additional drum pad machine. Nowadays, the keyboards have drum machines built into them. They are like computers and can be programmed…or so I’m told. This musician had a classical opening piece or majenci, taxim/takseem and a saidi piece programmed in. I was pretty impressed how well the music was going and we were all having a great time. Then he started playing Salamet Om Hassam….and kept playing it. I mean he kept playing the opening verses, over and over again. Over and over again. over and over again.
Over to another nightclub, different night, different keyboard player, who I have worked with before. Beautiful opening music. I love dancing to the richness of the classical majenci…it’s really for me a show case of art, not just entertainment. Well, I guess it also is for this particular keyboard player. In the takseem/taxim section of the opening piece, he elaborated. I mean taxim means solo and improvise literally, so I get that, but these are classics! I didn’t know Korgs could play a jazz solo….His solo went on long enough for the drummer to leave the stage and go to the bathroom.Thankfully, there was a wedding party, where I could occupy myself with pictures and audience interaction.
Another night, different keyboard player. It’s Ramadan, no keyboard player for the show.
Another night club, different band, different state, keyboard player doesn’t show up.
All of these things can and more will happen. Rule number #1, don’t panic. Rule #2, keep dancing, or not!