I have adored spinning since early child hood. Do you remember the feeling of being outside and staring up at the sky spotting and spinning until you dropped in laughter? Maybe you don’t…or maybe the “Merry-Go-Round, Ring- Around the Rosies? …but I, can still feel that sensation of delight in my bones and am smiling with the feelings of that memory right now. Maybe with the change of seasons, I am being drawn to rituals that sustain and ground me, and movement and dance has always played a big part in my life in how to accomplish that sensation.
Many countries have rituals of movement and dance for medicine, self-help, connecting with the Divine, finding your divine or releasing demons of the mind. My favorites are the Zar, Sufi Spinning, and Tarantella, which I’ve had much less experience with, but feel a profound connection because of my Italian heritage.
Most of you may know the ayoob rhythm, but there are many rhythms that are used to induce trance..If you are so inclined might I suggest Yasmin Henkish’s workshops and if that’s not a possibility get her Zar CD, get a hard copy, not a digital download. The text accompanying the CD is a lesson unto itself and a important scholarly work for an inquisitive dancer. You can get that here.
Enjoy a little Inspiration
Shoo-Shoo Amin doing a Zar as part of her nightclub act. I think this is around the late “80’s in Egypt.
This documentary (please turn speakers down, as it loads immediately into a high-pitched sound) from Iran, I had always thought of Zar as an Egyptian phenomenon, and maybe it is an error of the producer of this video to call it as such, but this shows us the boundaries of geography are liquid and dynamic when it comes to ritual.
Whirling Dervish I was exposed to this form of spinning from one of my dance teachers who studied with the Mevlevi when they came to America, I think in the late ’70’s or early 80’s. Prior to that time no women were taught this or included in the ritual in its land of origin. This tongue in cheek essay, gives a good overview with instructions and video links for your enjoyment. Of course, if you ever get to Turkey, you must, must go to see them.
My little Ayoob. This was part of my nightclub show in the ’90’s, and is/was performed after the drum solo as a culmination or the finale part of a 5-7 part show. I can still remember the first time this was played for me, of course no rehearsal…not that you can really rehearse, well you can but it defeats the purpose!
Finding a movement ritual, done with intention and mindfulness, is a powerful tool and can give meaning to the mundane.